Track listing
15. Honey (Original Songwriting Voice Memo)
16. CANCELLED! (Original Songwriting Voice Memo)
Honey (Original Songwriting Voice Memo)
Honey (Original Songwriting Voice Memo)
Yeah
One, two, three, four
Oh-oh-oh
You can call me anything you want, anything you want, you want
Ooh-ooh-ooh
You can call me anytime you want if you mean ir when you talk
Yeah
When you talk, or like, yeah
Yeah, yeah, love
When you talk
I’m gonna record to remember those notes, maybe those notes, or not exactly, but they are, but play through the chorus, one, two, three, four
Honey
He was standing in the bathroom, white tee
He was saying that skirt didn’t fit me and I cried the whole way home
If anyone called me “honеy”
He was standing at the bathroom, white tee
You wеre saying that skirt don’t fit me and I cried the whole way home
But you
Ooh-ooh-ooh
You can call me anything you want, anything you want, you want
Ooh-ooh-ooh
Oh, wait, wait, wait
But doesn’t it go then into
You love my face
Redefine all of those blues
When you say “Honey”
Post tune, bla-bla-bla
You can call me anything you want, anything you want, you want
That’s what I think it is
‘Cause we go into that
You touch my face
Jazzy
Redefine all of those blues
It’s last in this key
But then we go back to the chorus chords
La-da-na-na
You can call me anything you want, anything you want, you want
Na-na-na
You can call me anytime at all, as long as you mean it when you talk
So we don’t have that in the bridge?
Touch my face
That’s the pre
Right there
Face, redefine all of those blues
When you say “Honey”
The bridge
Ah-ah-ah
You can call me anything you want, anything you want, you want
It’s in the chorus, but it’s like that
I think it’s like, it’s like
A pre-chorus going into this, like, explosive pop post-hook of just, ’cause, I just, I think that’s what it is
No, no, no, I’m saying
When you say “Honey”
So, you’re saying, ’cause you’re still, so, so, so
Just to try to find my
Okay, here
Um
So you’re saying that the
So that’s a part
And then the you, is that like a—
That’s like a pre-chorus
That’s like your verse
The way I’m looking at it, in terms of just structurewise
The first thing we hear is
If anyone called me sweetheart
Right?
Then you go into
But you touch my face
Redefine all of those blues
When you say
Then the track gets bigger
Honey
And it’s romantic
It sounds romantic
You can tell me anything you want, anything you want, you want
Right
You can call me anytime at all, ’cause you mean it when you talk
That’s how it goes
It could be, I don’t know
And then what happens after that, like, the hook?
If anyone called me late night
It was in a different manner
My mind
He was saying
It could be just one of those—
I think we have to record the chorus to get it
It’s a little confusing in my head
But I love that thing
Yeah
It’s just like, where do we—
‘Cause I was in love with the verse idea
But let’s record with instruments
Yeah
CANCELLED! (Original Songwriting Voice Memo)
CANCELLED! (Original Songwriting Voice Memo)
Best in the da-na-na-na
Yeah, just so we get the front now, we were skipping one round, sorta thing
I know, I know, yeah
It’s a good thing I like my friends cancelled
I like ’em cloaked in Gucci and in scandal
Like my whiskey sour
La-lan turn by the hour
And la-ta-ta in wonderworld
They did something sour
Down-druh sour
Never got so dark, but you, now you know who your friends are
That’s where it starts over, right?
So what are we saying?
I kinda wanna do—
No
Welcome to my underworld
Yes, it gets quite dark
At least you know who your real friеnds are
And—
That’s the final thing in it, right?
Can I—Yeah
Okay, yеah, I love that
Alright
So, just we know, what happens after “Like my whiskey sour?”
And dun-dun-dowda flowers
Welcome to my underworld
Yes, it does get dark
Now
No, do the whole thing
Okay
Good thing I like my whiskey sour
My lost and thorny flowers
Welcome to my underworld
With the best bad scars
Fun-da-ferra and da-fenta-far
Who your friends are
It’s the one with matching scars
I think we need to fix the chords there in the end
To make it, (Yeah) to figure out
Well, we like the “Like my whiskey sour and da-da-da,” I like that
Welcome to my…
What are you playing?
So, like my whiskey sour
Da-da-da-ah
Welcome to my…
I do love that chord to go to eventually to resolve it
Let’s do it
Welcome to my…
Uh, from the uh—
Where are we?
So the first chord of the chorus.
Welcome to my… Underworld
What was that? What was the cancelled? I like my
I actually think we need to go back to that first chord of the entire song with the underworld.
Said good thing I like my friends canceled.
I like them cloaked in Gucci and in scandal.
Now you’re turning sour
Like bark and thorny flowers
Welcome to my underworld
We’re the fancy side
It’s so funny, ’cause it gets quite dark
Your friends are
Like
Welcome to my underworld
Da-da-da, dark
Na-na-na, you know
It’s a da-da cause it gets quite
Who your friends are
You know what I mean?
Welcome to my underworld
Yes, it gets quite dark
But at least you know who your friends are
Yeah, yeah but is that
Are you saying that’s the end of the hook?
Kind of, like, it’s like
Welcome to my underworld
Yes, it gets quite dark
The water’s not fun
It’s got tons of, loads of sharks
Like, welcome to my underworld
Like, you know what I mean?
Like, we’ll figure out what to do there, but at least you know who your friends are.
They’re the ones with matching scars.